The Influence of the Epistemology of "Being" and "Tao" in the Chu Tomb Bamboo Sketch on the Creative Thinking of Contemporary Composers

Abstract

In order to dig deeper into the philosophical value of music in "Bamboo Slips from the Tomb of Chu", analyze "existence" and "Tao".Epistemological content, this paper takes the bamboo slips in the No. 1 tomb of Guojiadian in Jingmen City, Hubei Province during the Warring States Period as the research object, measures and excavates them with the help of modern tools, summarizes the philosophical ideas in the bamboo slips, and verifies them with representative songs of contemporary writers such as Xian Xinghai, Tan Dun, and Zhang Chao. Firstly, four sets of bamboo slips were selected from the 804 pieces unearthed for analysis, and the contents of "existence" and "dao" in the bamboo slips were studied, and the characteristics of philosophical content, font lines, and modeling were excavated. Then, the loudness and frequency of the song were tested with the help of software such as the MINI DPS UMil-1 sound field test microphone, the 4K microscope (0.7x) REW2.0, and Microsoft Viso 2.0。 The results show that with the help of Viso 2.0 and microscope, the length of the font in the Chu tomb bamboo simplification is 1.23±0.15cm, the width is 1.18±0.01cm, the aspect ratio is 1, and the line curvature is 30°. REW software, mini DPS UMil-1 sound field test microphone test, found that the decibel of Xian Xinghai, Tan Dun, and Zhang Chao's songs was 100~125dBFS, and the song frequency was 300~1000Hz, 20~100Hz; The music frequency is controlled in the range of 0~2000Hz, the music loudness concentration is 400~7000Hz, the concentration time is 35~75 seconds, and the songs are short and concentrated.