An Archaeological Perspective on the Tianqin Art of the Guangxi Zhuang Ethnic Group: Inheritance Dilemmas and Sustainable Development Strategies

Abstract

The Tianqin art of the Guangxi Zhuang ethnic group was listed in the fifth batch of China's national intangible cultural heritage on May 24, 2021. The birthplace of the Zhuang Tianqin is located in Jinlong Town, Longzhou County, Chongzuo City, Guangxi Province. Originating from the ritual instruments used by shamans in sacrificial activities, the local people refer to it as "ding" or "ding". It is a musical instrument frequently used in witchcraft, sacrifices, weddings, festivals, and daily cultural and entertainment activities. With the evolution of time, the Tianqin has undergone historical, regional, and academic transformations, transitioning from a ritual instrument to a stage musical instrument. Its religious function has gradually diminished, while its roles in entertainment, music, and culture have become more prominent. This paper explores the specific content of Tianqin art's flow and respects the basic characteristics of its living flow, focusing on its vitality, dynamism, and spiritual elements. It analyzes the dilemmas and reasons behind the inheritance challenges of the Zhuang Tianqin art and proposes policy recommendations for its protection and sustainable development from an archaeological perspective.