An Archaeological Perspective on the Evolution of Classical Philosophical Art and Piano Music Styles

Abstract

This paper explores the rich forms of expression of classical philosophical art in music from an interdisciplinary archaeological perspective, with a particular focus on the artistic characteristics of 19th-century classical style piano music. By analyzing the works of representative composers such as Beethoven, it reveals their precise grasp of the musical style and developmental direction of the classical period under the influence of Haydn and Mozart. The article first introduces the cultural background of classical philosophical art and then elaborates on its manifestation from two perspectives: creative characteristics and technical forms. Building on this, the paper employs archaeological methodologies to summarize the development of composition and performance in classical style piano music, aiming to provide new insights and references for further research in this field.