Integration of Archaeology and Ethnic Musical Heritage in the Mediterranean Region

Abstract

In the global context where Intangible Cultural Heritage (ICH) is gaining increasing attention, the question of how to inherit and develop ethnic music, particularly in countries like China with rich musical heritage, has become a focal point in both academic and practical fields. This study aims to explore how ethnic music under the umbrella of ICH integrates with modern society and culture. By delving into the definition, classification, value, and significance of ICH, and taking the Maulam Ritual at Labrang Monastery, which encompasses various forms of intangible arts, as a case study, this research meticulously analyzes the inheritance and innovation of its music, dance, and religious rituals. The study reveals that music occupies an indispensable position in ICH, serving as both a carrier of history and culture and an expression of emotions and beliefs. Particularly in the Maulam Ritual at Labrang Monastery, the combination of music and dance presents the profound cultural heritage of the Tibetan people. The research also elucidates how ICH integrates with the economy, education, and cultural industries in modern society, achieving an organic fusion of tradition and innovation. This interdisciplinary approach aligns with the multiscientific methodologies in archaeology and cultural heritage studies, highlighting the significance of archaeological perspectives in understanding and preserving ethnic musical traditions.