From Tradition to Modernity: Reconstruction of National Culture in Animated Films under the Colorful Bar House Model
Keywords:
Abstract
The "Colorful Bar House Model" stands as an innovative paradigm in China's animated film industry, showcasing a profound interplay between the inheritance of national culture and its modern expression. At its core, this model achieves a multidimensional cultural reconstruction through visual aesthetics, narrative structure, and character development, seamlessly integrating traditional culture with contemporary aesthetics. This integration facilitates the revitalization of national culture within a global context. The "Colorful Bar House Model" not only establishes a distinctive aesthetic style by modern reinterpretation of traditional art elements and the visual reshaping of cultural symbols but also enriches the cultural connotations and expressive methods of animated films by modernizing traditional myths and legends and innovating narrative techniques. Furthermore, it successfully propagates cultural significance on multiple levels through the modernization of traditional character archetypes and the articulation and recognition of cultural identity. The "Colorful Bar House Model" not only expands the artistic boundaries of Chinese animated films but also provides a new paradigm for the regeneration of national culture in the global market, thereby enhancing the cultural influence of Chinese animated films on the international stage.