Archaeological discoveries of flutes in 18th century Europe and the evolution of musical instrument culture: A case study of Germany and Austria

Abstract

This research examines the findings of 18th-century flutes in Germany and Austria and their contributions to developing musical instrument culture. The main goal is to discuss the material and technical aspects of the flutes and their cultural affiliations, focusing on the regional differences that define the evolution of the flutes. This study adopts a qualitative research method using a case study approach. The study employs secondary data from books, journals, web-based articles, archaeological reports, and historical documents to conduct thematic analysis. The conclusions established and elucidated that flutes were symbiotically associated with the enlightened and cultural realm of enlightened Germany by the excessive craftsmanship and the aesthetically and technically innovative features of the instrument that augments the orchestrated manifestations of the Baroque era.

On the other hand, flutes were found to be employed in religious and communal activities in Austria, although they are associated with cohesion. These Austrian flutes, usually more lightly adorned, were important in monastic environments and peasant folklore, which firmly cemented their place in broad cultural practice. The study shows that the flute design of the 18th century had a dual tradition where the German instruments reflected innovation and aesthetics.

In contrast, the Austrian flutes served to conserve regional customs. This study provides a perspective on eighteenth-century European flutes' cultural and historical context. It expands our knowledge about the trends in the development of musical instruments in that era.