Vocal Art: An Archaeological Exploration of Ancient Singing Techniques Through the Lens of Sound Culture in Pottery and Murals

Abstract

This paper explores the ancient singing techniques through the examination of sound cultures embedded in pottery and wall paintings. The study begins with an introduction to the significance of vocal art in human civilization and the challenges of studying ancient vocal techniques due to the perishable nature of sound. The literature review highlights the limitations of textual sources and the potential of archaeological findings, particularly pottery and wall paintings, in understanding ancient vocal art. The research methodology involves a multifaceted approach, including archaeological analysis, iconographic examination, and sound simulation, to ensure a comprehensive exploration of the subject matter. The analysis of pottery and wall paintings provides insights into the acoustic properties, musical instruments, and singing postures depicted in these artifacts. By integrating archaeological, iconographic, and acoustical data, the study reconstructs the vocal techniques employed in ancient societies. The findings reveal the sophistication of ancient singing practices and their relevance to contemporary vocal pedagogy. The research contributes to a deeper understanding of the cultural and social significance of music in antiquity and its enduring impact on vocal artistry.